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Return to Zagreb, 1900 – 1905
The first significant achievements – Two villas for the Auer family

Exhibition layouts and interior decoration

Art pavilion, postcard, around 1904

Viktor Kovačić was a very active member of the Society of Croatian Artists. After its dissolution, he joined the Society of Arts led by Izidor Kršnjavi. As a member of the Society, he regularly exhibited at joint events, and for several exhibitions he designed the layout and decoration of the exhibition spaces. During 1904, Kovačić also joined the newly founded Union of South Slavic Artists “Lada”, at whose exhibitions he also exhibited regularly, set up exhibitions and created catalogs. In addition to exhibitions, Kovačić also decorated interiors for numerous social events during his career.

Obzor Illustrated no. 6, February 1908: “Our Croatian architect Viktor Kovačić is distinguished by a special taste and culture, which is shown by his buildings, toli and his interior arrangement, rooms and halls.”

Exhibition setup C. M. Medović, O. Iveković and friends, Art Pavilion, May 1901

Exhibition C. M. Medović, O. Iveković and friends, Art Pavilion, 1901, Ministry of culture and media Republic of Croatia

Installation of the Third Yugoslav Art Exhibition of the association “Lada”, Art Pavilion, May – June 1908

Viktor Kovačić, with a white hat on his head, with members of the “Lada” society in front of the Art Pavilion in 1908, Figure Archive of arts HAZU

Exhibition of the Third Yugoslav Art Exhibition of the Association “Lada”, Art Pavilion, 1908, Ministry of culture and media Republic of Croatia.

Obzor Illustrated no. 6, February 1908: “Up until the village, our halls were arranged in various ways for the purpose of dances, and these arrangements were mostly characterized by bad taste. It was without any culture, without any stylization. The organizers of the parties forgot that the artistic ear should decide in this, that drapeaus, flowers, colors and individual objects should be arranged in such a way that they are pleasing to the eye, that they do not get in the way and that their tones fit with gas or electric lighting.”

“Kola” building and hall, postcard, around 1902.

Interior decoration of the hall of the “Plitvice Society” Music Institute for Carnival Dance, February 1908

Interior decoration of the hall of the Music Institute for Carnival Dance of the Plitvice Society, 1908, Ministry of culture and media Republic of Croatia

Obzor Illustrated no. 6, February 1908: “Last year we already warned our readers about the extremely modern and tastefully decorated Sokol hall, and about the dance of the Croatian university students. And this time, Viktor Kovačić really stood out with the extraordinary arrangement of the aforementioned hall. Until the village, our halls were arranged in various ways for the purpose of dances, and most of all these arrangements were characterized by bad taste. It was without any culture, without any stylization… All the more we have to praise Mr. Viktor Kovačić, who put in all his effort, that with a small amount, and with a relatively small amount of decorative material and objects, he could bring out and achieve effects that we have not seen before. get used to watching our carnival and other great parties.”

Decoration of the interior of the hall of the Plitvice Carnival Music Society, 1908.

Buildings of the “Kolo” and “Hrvatski sokol” singing societies, postcard, around 1910

Garden music pavilion of the “Kolo” singing society, postcard, around 1902

Other Chapters
Childhood and early youth
Viktor Kovačić was born on 28th July 1874 in Ločen Dol near Rogaška Slatina on the border between Styria and Croatian Zagorje. His family was of humble origin. Father Antun was a shoemaker, while mother Marija, born Žolger, took care of the household. We know from scant information that he also had brothers. Kovačić was […]
Arrival in Zagreb, 1891 – 1896
Kovačić came to Zagreb at the beginning of 1891. One of the first jobs he took on when he came to Zagreb was to work on the construction of the Central Station. Then his uncle’s acquaintance, the architect Kuno Waidmann, came to his aid. Thanks to him, Kovačić achieved his first realization in Zagreb – […]
Akademie der Bildenden Künste
Viktor Kovačić went to Vienna during October 1896. There he enrolled at the Akademie der Bildenden Künste, where he attended a special school with the famous Viennese architect Otto Wagner. With Wagner’s school, new and much wider perspectives opened before his eyes, completely different from the narrow provincial environment he had known until then. At […]
Return to Zagreb, 1900 – 1905
Viktor Kovačić: “I came to put architecture in Croatia on a new foundation – I am the ray of sunshine of a new artistic endeavor.” After completing his studies in Vienna in 1899, Kovačić returned to Zagreb. In the first years after his return, he lived in great poverty. He had a hard time finding […]
Exhibition layouts and interior decoration
Viktor Kovačić was a very active member of the Society of Croatian Artists. After its dissolution, he joined the Society of Arts led by Izidor Kršnjavi. As a member of the Society, he regularly exhibited at joint events, and for several exhibitions he designed the layout and decoration of the exhibition spaces. During 1904, Kovačić […]
The first significant achievements – Two villas for the Auer family
At the very beginning of his architectural career, Viktor Kovačić was first met by his patron architect Kunno Weidmann. In the spring of 1900, he accepted him as an associate in his studio. It was at the time of his collaboration with Weidmann that Kovačić’s first significant work was created in Zagreb, Milan Eisner’s house […]
Affirmation time
Between 1905 and 1910, Viktor Kovačić began to assert himself more and more as a leading Croatian architect. He was a participant in several large architectural tenders, and the number of project orders has increased during time, which has finally led to his financial recovery. At that time, Kovačić began to establish new standards of […]
Competition for King Tomislav Square
During 1901, the construction company Grahor and son’s submitted a proposal to the head of the City Construction Office, Milan Lenuci, for the arrangement of Franjo Josip Square (today King Tomislav Square). In 1903, Grahor’s company engaged Viktor Kovačić, who made several proposals, for the design of the square. However, the mayor of Zagreb, Milan […]
Club of Croatian architects
Viktor Kovačić, with his “action” regarding the competition for the decoration of Franjo Josip Square (today King Tomislav Square), caused a revolt among his fellow architects, especially Stjepan Podhorski and Vjekoslav Bastl, who, at Kovačić’s persuasion, withdrew their works just before the conclusion of the competition. But on the other hand, this event initiated the […]
Church of St. Blaise
Crkva sv. Blaža djelo je koje je Viktora Kovačića ustoličilo na tronu hrvatske arhitekture. Crkva je tlocrta grčkog križa nad čijim se sjecištem uzdiže armiranobetonska kupola. Kovačićeva kupola je prema istraživanima među najranijim armiranobetonskim kupolama na svijetu.
Childhood and early youth
Viktor Kovačić was born on 28th July 1874 in Ločen Dol near Rogaška Slatina on the border between Styria and Croatian Zagorje. His family was of humble origin. Father Antun was a shoemaker, while mother Marija, born Žolger, took care of the household. We know from scant information that he also had brothers. Kovačić was […]
Arrival in Zagreb, 1891 – 1896
Kovačić came to Zagreb at the beginning of 1891. One of the first jobs he took on when he came to Zagreb was to work on the construction of the Central Station. Then his uncle’s acquaintance, the architect Kuno Waidmann, came to his aid. Thanks to him, Kovačić achieved his first realization in Zagreb – […]
Akademie der Bildenden Künste
Viktor Kovačić went to Vienna during October 1896. There he enrolled at the Akademie der Bildenden Künste, where he attended a special school with the famous Viennese architect Otto Wagner. With Wagner’s school, new and much wider perspectives opened before his eyes, completely different from the narrow provincial environment he had known until then. At […]
Return to Zagreb, 1900 – 1905
Viktor Kovačić: “I came to put architecture in Croatia on a new foundation – I am the ray of sunshine of a new artistic endeavor.” After completing his studies in Vienna in 1899, Kovačić returned to Zagreb. In the first years after his return, he lived in great poverty. He had a hard time finding […]
Exhibition layouts and interior decoration
Viktor Kovačić was a very active member of the Society of Croatian Artists. After its dissolution, he joined the Society of Arts led by Izidor Kršnjavi. As a member of the Society, he regularly exhibited at joint events, and for several exhibitions he designed the layout and decoration of the exhibition spaces. During 1904, Kovačić […]
The first significant achievements – Two villas for the Auer family
At the very beginning of his architectural career, Viktor Kovačić was first met by his patron architect Kunno Weidmann. In the spring of 1900, he accepted him as an associate in his studio. It was at the time of his collaboration with Weidmann that Kovačić’s first significant work was created in Zagreb, Milan Eisner’s house […]
Affirmation time
Between 1905 and 1910, Viktor Kovačić began to assert himself more and more as a leading Croatian architect. He was a participant in several large architectural tenders, and the number of project orders has increased during time, which has finally led to his financial recovery. At that time, Kovačić began to establish new standards of […]
Competition for King Tomislav Square
During 1901, the construction company Grahor and son’s submitted a proposal to the head of the City Construction Office, Milan Lenuci, for the arrangement of Franjo Josip Square (today King Tomislav Square). In 1903, Grahor’s company engaged Viktor Kovačić, who made several proposals, for the design of the square. However, the mayor of Zagreb, Milan […]
Club of Croatian architects
Viktor Kovačić, with his “action” regarding the competition for the decoration of Franjo Josip Square (today King Tomislav Square), caused a revolt among his fellow architects, especially Stjepan Podhorski and Vjekoslav Bastl, who, at Kovačić’s persuasion, withdrew their works just before the conclusion of the competition. But on the other hand, this event initiated the […]
Church of St. Blaise
Crkva sv. Blaža djelo je koje je Viktora Kovačića ustoličilo na tronu hrvatske arhitekture. Crkva je tlocrta grčkog križa nad čijim se sjecištem uzdiže armiranobetonska kupola. Kovačićeva kupola je prema istraživanima među najranijim armiranobetonskim kupolama na svijetu.
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