Add to virtual exhibition
Add
Lorem ipsum dolor sit amet

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Adipiscing at in tellus integer feugiat scelerisque varius morbi enim. Eu turpis egestas pretium aenean pharetra magna ac. Feugiat vivamus at augue eget arcu dictum varius duis at. Senectus et netus et malesuada fames ac turpis. Odio facilisis mauris sit amet massa vitae tortor condimentum lacinia. Id semper risus in hendrerit gravida rutrum. Lacus laoreet non curabitur gravida arcu ac tortor dignissim. Tristique sollicitudin nibh sit amet commodo nulla. Mauris augue neque gravida in fermentum et sollicitudin.

Dignissim diam quis enim lobortis scelerisque. Phasellus vestibulum lorem sed risus ultricies tristique nulla. Euismod lacinia at quis risus. Mollis aliquam ut porttitor leo a diam sollicitudin. Morbi enim nunc faucibus a pellentesque sit amet porttitor eget. Purus in mollis nunc sed id semper risus in hendrerit. Etiam tempor orci eu lobortis. Augue interdum velit euismod in pellentesque massa placerat duis ultricies. Tortor id aliquet lectus proin nibh nisl condimentum id venenatis. Vitae tempus quam pellentesque nec nam aliquam sem et tortor. Mattis enim ut tellus elementum sagittis vitae et leo. Massa tempor nec feugiat nisl. Ullamcorper a lacus vestibulum sed. In nibh mauris cursus mattis molestie a iaculis. Lacus sed viverra tellus in hac. Sit amet venenatis urna cursus. Magna eget est lorem ipsum dolor sit amet consectetur adipiscing. Pellentesque habitant morbi tristique senectus et netus.

Consequat interdum varius sit amet mattis vulputate enim nulla aliquet. Urna nunc id cursus metus aliquam eleifend mi in nulla. Elit pellentesque habitant morbi tristique senectus. Ultrices eros in cursus turpis massa tincidunt dui ut. Montes nascetur ridiculus mus mauris vitae ultricies leo. Massa enim nec dui nunc mattis enim. Sed vulputate mi sit amet mauris commodo. Cursus eget nunc scelerisque viverra. Purus sit amet volutpat consequat mauris nunc. Urna nec tincidunt praesent semper feugiat nibh sed. Vehicula ipsum a arcu cursus vitae congue mauris. Dolor sit amet consectetur adipiscing elit pellentesque habitant morbi tristique.

Dolor sit amet consectetur adipiscing elit pellentesque habitant. Interdum varius sit amet mattis vulputate enim. Tempor orci eu lobortis elementum nibh tellus. Molestie nunc non blandit massa enim nec dui. Nulla malesuada pellentesque elit eget. Aliquet enim tortor at auctor urna nunc id cursus. Interdum consectetur libero id faucibus nisl tincidunt eget nullam non. Congue quisque egestas diam in arcu cursus euismod quis viverra. Pellentesque elit ullamcorper dignissim cras tincidunt lobortis feugiat vivamus. Quam viverra orci sagittis eu volutpat odio.

Malesuada nunc vel risus commodo viverra. Amet mattis vulputate enim nulla aliquet. Mauris pellentesque pulvinar pellentesque habitant morbi tristique. Tempus quam pellentesque nec nam aliquam sem. Aliquam id diam maecenas ultricies mi eget mauris pharetra et. Quis lectus nulla at volutpat diam ut. Suspendisse sed nisi lacus sed viverra tellus in. Integer eget aliquet nibh praesent tristique magna sit amet purus. Mi bibendum neque egestas congue quisque egestas diam in arcu. Lacus vestibulum sed arcu non odio euismod lacinia.

Accept
API: terms of use

By downloading content from the portal, the user undertakes to use it exclusively for non-commercial purposes and only for individual use, for professional and scientific purposes, while complying with all copyrights, other proprietary rights, and any stated limitation of rights.

Therefore, content from the portal may not be further copied, reproduced, or otherwise distributed without an express consent of the Ministry of Culture and Media.

Any use of the downloaded content must be accompanied by the note “Copyright (c) 2021, Ministry of Culture and Media of the Republic of Croatia, all rights reserved”.

Accept
Search portal
Spaces of intimacy
Musical organs

Portraits

RAPONJI (Svetvinčenat, Istria)
Oh girl, how many asparagus have I gathered in my life, and God grant that it will continue to be so

Jelka Radauš Ribarić, 1954.

Ministry of Culture and Media of the Republic of Croatia
Photo archive of the Conservation Department in Rijeka
Inv. No. 11514
RAKALJ (southern part of Istria)
Potterness Fuma Teković poses with a čripnja, a circular earthen vessel for preparing food on an open hearth
Throughout history, Rakalj is known for its potters who made pottery products by hand, mixing clay and quartz stone, gnjilu i solenu and baking it to be resistant to high temperatures. The lack of high-quality arable land is one of the reasons why the people of Rakljan engaged in supplementary work, fishing, seafaring and pottery, thanks to which they became widely known. The knowledge of making pots was passed down from generation to generation, but also within the village community. Entire families were engaged in the production of pottery products, and everyone participated in the preparation, production and sale of pots as needed.

Vinko Malinarić, 1972.

Ministry of Culture and Media of the Republic of Croatia
Photo archive of the Conservation Department in Rijeka
Inv. No. neg. 52912, neg. 29158
BLAŠKOVEC (Saint Ivan Zelina, wider area of Zagreb)
A woman in years equipped with an old-fashioned white headscarf with the raised ends, called peča

Ljerka Krtelj, 1963.

Ministry of Culture and Media of the Republic of Croatia
Photo archive of the Conservation Department in Zagreb
Inv. No. 1788
DONJA VRBA (Slavonski Brod)
Portrait of Uncle Ivan, a pipe smoker

Rudolf Bartolović, 1974.

Ministry of Culture and Media of the Republic of Croatia
Photo archive of cultural heritage
Inv. No. 39064
Other Chapters
Cultural landscapes
A valid phrase describing the concept of a cultural landscape is “a space with identity.” In other words, the most concise definition of a cultural landscape is: a combined work of nature and humans. Although the term “cultural landscape” has been present in geographical terminology since the early 20th century, the key year for its international legal protection is 1992, when it was recognized as a distinct category of cultural heritage.
Banovina and Kostajnica
This heritage conservation photograph takes you into the historic noble seat of the Zrinski and Frankopan families, but also into the folk world of wooden, ornamented, ever-anchored boats.
Fishing, maritime, and river navigation
Fishing, maritime, and river navigation have been an integral part of human life since time immemorial, so it is no surprise that they are captured in old black-and-white conservation photographs with a hint of sepia. Beyond documenting the traditional activities of this economic sector, they continue to play a role in modern economic life, possessing a notable potential for societal development.
Traditional agriculture
Farming has always been the backbone of rural areas. It forms the foundation of food security and economic sovereignty for every region and nation, and it is inseparably linked to the diligent, calloused hands of our people. Conservation heritage photography tells this story in its own distinctive way.
Vedutas and scenes
Vedutas are painterly or (photo)graphic works that depict a part of the landscape—rural or urban, a square, street, or similar—in a detailed and faithful manner, regularly employing perspective to convey a sense of spatial depth. Vedutas become even more striking and lively when they include context, such as scenes with people and/or animals, whether these figures serve as nearly equal participants in the spatial composition or merely as its embellishment. Conservation photography often captures such veduta views, frequently and enthusiastically.
Spaces of intimacy
Alongside monumental cultural heritage—shared treasures of the broader community, the nation, and even the world—conservation heritage photography also gladly records another form of heritage: the opposite extreme of communal life, namely human intimacy. This represents the inalienable and unique inner and emotional world of an individual person.
Portraits
Whether in literature, painting, or photography, the portrait—one of the most direct literary or visual expressions of human intimacy—can either offer only a superficial engagement with the subject, presenting merely the model’s appearance, or it can pursue a deeper, more thoughtful, and intimate approach, contributing to the subject’s individualization and characterization.
Musical organs
Organs, queens among musical instruments, companions of St. Cecilia and symphonic ensembles, which originated in antiquity as hydraulis (the distant ancestors of today’s sea organs in Zadar!) and were gilded during the Baroque period—especially thanks to Bach’s virtuosity—were the focus of systematic study and protection during the Musical Instrument Protection campaign carried out by the national conservation service from 1972 to 1975. During this three-year fieldwork, aimed at documenting, systematizing, evaluating, and appropriately safeguarding musical instruments across the Republic of Croatia, just under 800 organs—mostly of monumental significance—were recorded, and a total of 5,462 photographs were taken. This effort formed the basis for the creation of the Unique National Register of Historic Organs.
Intangible cultural heritage
Intangible cultural heritage refers to practices, performances, expressions, knowledge, and skills that communities, groups, and individuals recognize as part of their cultural heritage, transmitting them from generation to generation. Unlike tangible heritage (monuments, objects), intangible heritage is “living,” constantly evolving, and provides a sense of identity and continuity. The following photographs, taken in the early 1960s, illustrate that the recognition of the importance of intangible heritage among Croatian conservators preceded UNESCO’s Recommendation on the Safeguarding of Traditional Culture and Folklore (1989), the UNESCO Masterpieces of the Oral and Intangible Heritage of Humanity (1998), and the Convention for the Safeguarding of the Intangible Cultural Heritage (2003) by two decades or more. These international frameworks ultimately led, in 2006, to the adoption of the Convention for the Safeguarding of the Intangible Cultural Heritage, following ratification by a sufficient number of states.
Tourism and culture
Heritage photographs in general, including those presented in our virtual exhibition, although created long before the establishment of cultural tourism, should be valued not only for their contribution to our culture and tourism—since they promote our regions, monuments, and people—but also more broadly as a powerful national and social reference. They raise awareness of our identity and uniqueness in increasingly globalized and challenging times ahead.
Chiaro-scuro photographs
Must conservation photography be solely functional and documentary, or is it sometimes allowed the freedom to venture into interpretative realms? Reflect on this question in light of the following photographs…
Sign-off
The conservators and the eKultura team of the Ministry of Culture and Media thank you for your attention!
Impresum
Author of the exhibition: M.Sc. Sanja GrkovićMinistry of Culture and Media – Photo archive of cultural heritage The virtual exhibition was prepared by the Cultural Heritage Digitization OfficeMinistry of Culture and Media Photo preparation: DIGITAL FOTO ART, Dragutin Škreblin
Cultural landscapes
A valid phrase describing the concept of a cultural landscape is “a space with identity.” In other words, the most concise definition of a cultural landscape is: a combined work of nature and humans. Although the term “cultural landscape” has been present in geographical terminology since the early 20th century, the key year for its international legal protection is 1992, when it was recognized as a distinct category of cultural heritage.
Banovina and Kostajnica
This heritage conservation photograph takes you into the historic noble seat of the Zrinski and Frankopan families, but also into the folk world of wooden, ornamented, ever-anchored boats.
Fishing, maritime, and river navigation
Fishing, maritime, and river navigation have been an integral part of human life since time immemorial, so it is no surprise that they are captured in old black-and-white conservation photographs with a hint of sepia. Beyond documenting the traditional activities of this economic sector, they continue to play a role in modern economic life, possessing a notable potential for societal development.
Traditional agriculture
Farming has always been the backbone of rural areas. It forms the foundation of food security and economic sovereignty for every region and nation, and it is inseparably linked to the diligent, calloused hands of our people. Conservation heritage photography tells this story in its own distinctive way.
Vedutas and scenes
Vedutas are painterly or (photo)graphic works that depict a part of the landscape—rural or urban, a square, street, or similar—in a detailed and faithful manner, regularly employing perspective to convey a sense of spatial depth. Vedutas become even more striking and lively when they include context, such as scenes with people and/or animals, whether these figures serve as nearly equal participants in the spatial composition or merely as its embellishment. Conservation photography often captures such veduta views, frequently and enthusiastically.
Spaces of intimacy
Alongside monumental cultural heritage—shared treasures of the broader community, the nation, and even the world—conservation heritage photography also gladly records another form of heritage: the opposite extreme of communal life, namely human intimacy. This represents the inalienable and unique inner and emotional world of an individual person.
Portraits
Whether in literature, painting, or photography, the portrait—one of the most direct literary or visual expressions of human intimacy—can either offer only a superficial engagement with the subject, presenting merely the model’s appearance, or it can pursue a deeper, more thoughtful, and intimate approach, contributing to the subject’s individualization and characterization.
Musical organs
Organs, queens among musical instruments, companions of St. Cecilia and symphonic ensembles, which originated in antiquity as hydraulis (the distant ancestors of today’s sea organs in Zadar!) and were gilded during the Baroque period—especially thanks to Bach’s virtuosity—were the focus of systematic study and protection during the Musical Instrument Protection campaign carried out by the national conservation service from 1972 to 1975. During this three-year fieldwork, aimed at documenting, systematizing, evaluating, and appropriately safeguarding musical instruments across the Republic of Croatia, just under 800 organs—mostly of monumental significance—were recorded, and a total of 5,462 photographs were taken. This effort formed the basis for the creation of the Unique National Register of Historic Organs.
Intangible cultural heritage
Intangible cultural heritage refers to practices, performances, expressions, knowledge, and skills that communities, groups, and individuals recognize as part of their cultural heritage, transmitting them from generation to generation. Unlike tangible heritage (monuments, objects), intangible heritage is “living,” constantly evolving, and provides a sense of identity and continuity. The following photographs, taken in the early 1960s, illustrate that the recognition of the importance of intangible heritage among Croatian conservators preceded UNESCO’s Recommendation on the Safeguarding of Traditional Culture and Folklore (1989), the UNESCO Masterpieces of the Oral and Intangible Heritage of Humanity (1998), and the Convention for the Safeguarding of the Intangible Cultural Heritage (2003) by two decades or more. These international frameworks ultimately led, in 2006, to the adoption of the Convention for the Safeguarding of the Intangible Cultural Heritage, following ratification by a sufficient number of states.
Tourism and culture
Heritage photographs in general, including those presented in our virtual exhibition, although created long before the establishment of cultural tourism, should be valued not only for their contribution to our culture and tourism—since they promote our regions, monuments, and people—but also more broadly as a powerful national and social reference. They raise awareness of our identity and uniqueness in increasingly globalized and challenging times ahead.
Chiaro-scuro photographs
Must conservation photography be solely functional and documentary, or is it sometimes allowed the freedom to venture into interpretative realms? Reflect on this question in light of the following photographs…
Sign-off
The conservators and the eKultura team of the Ministry of Culture and Media thank you for your attention!
Impresum
Author of the exhibition: M.Sc. Sanja GrkovićMinistry of Culture and Media – Photo archive of cultural heritage The virtual exhibition was prepared by the Cultural Heritage Digitization OfficeMinistry of Culture and Media Photo preparation: DIGITAL FOTO ART, Dragutin Škreblin
eKultura logo
Copyright © 2023 Ministry of Culture and Media
NAVIGATION
INFORMATION
The website was co-funded by the European Union from the European Regional Development Fund. European union logo Konkurentnost i kohezija logo Konkurentnost i kohezija logo